Maison Martin Margiela behöver ingen ny Messias. Det anonyma kollektivet har funnit sig tillrätta i ett liv efter Martin. Bon reste till husets högkvarter i Paris för att träffa ett designteam som fortfarande vägrar att ta ordet ”jag” i sin mun.
» Sabrina Shim
Houseboat on the Nile. Dita Von Teese on the phone. A million pairs of shoes sold a year. If anyone knows glamour, it’s Christian Louboutin.
”Jonathan Anderson made the 1980s not only look unbelievably good, but also, for lack of a better word, cool.”
”It was simultaneously beautiful and a bit puzzling – just like the Yang Li woman, I imagine.”
”It’s a hard gig these days balancing commerciality and creativity, and while I feel Paglialunga hasn’t quite worked out what this means to him or Jil Sander for the 2010s and beyond, there was a glimmer of hope with this collection.”
”Let’s be honest, it’s not like Meier went Moschino on us this season. Nevertheless, it was all a breath of fresh air for the luxury house.”
”It was all meant to be a comment on the ‘variation of beauty’, the real and the fake, the natural and the modified.”
”Truthfully, it wasn’t love at first sight for me. But after some introspection, I believe this collection will be a slow-burner.”
Burberry Prorsum A/W 2015 was all about patchwork, patterns and prints. But it remains to be seen whether consumers will be tired of all hippie vibes by the time the collections hit the stores, according to Sabrina Shim.
”Jonathan Saunders A/W 2015 was a rainbow riot.” The Scottish designer did not disappoint Sabrina Shim.