Vetements stages fashion shows in sex clubs and believes in creating interesting wardrobe pieces that are based on the women they know. Who knew reality could be so radical?
The unequivocal aim of Chitose Abe’s SACAI: to create something new. For the recently installed regime at GUCCI, the new belongs on the street. Newcomer VETEMENTS simply believe that the new is old hat. Hitting ten this year, OUR LEGACY is freer than ever, while LISA ASCHAN examines detainment and power in her new film. MAYAN TOLEDANO takes on the male gaze. PATRICK STAFF plays with it. Now, can you determine what’s revolutionary and what’s not?